By Anikó Imre
- Showcases serious old paintings and updated exams of post-socialist movie cultures
- Features attention of lesser identified parts of analysis, corresponding to Albanian and Baltic cinemas, renowned style movies, cross-national distribution and aesthetics, animation and documentary
- Places the cinemas of the quarter in a eu and worldwide context
- Resists the chilly battle type of japanese eu cinemas as “other” artwork cinemas through reconnecting them with the most circulate of movie studies
- Includes dialogue of such motion pictures as Taxidermia, El Perro Negro, 12:08 East of Bucharest monstrous Tõll, and Breakfast at the Grass and explores the paintings of administrators together with Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej ¯u³awski, and Karel Vachek among many others
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Additional resources for A Companion to Eastern European Cinemas (CNCZ - Wiley Blackwell Companions to National Cinemas)
A Companion to Eastern European Cinemas (CNCZ - Wiley Blackwell Companions to National Cinemas) by Anikó Imre